Toutes peintures ā l'huile d'SACCHI, Andrea


ID Image Painting(From A to Z)    Details 
9033  
SACCHI, Andrea, Hagar and Ismail in the Desert ug
 
 Hagar and Ismail in the Desert ug   c. 1630 Oil on canvas, 96 x 92 cm National Gallery of Wales, Cardiff
9036  
SACCHI, Andrea, Marcantonio Pasquilini Crowned by Apollo sg
 
 Marcantonio Pasquilini Crowned by Apollo sg   Oil on canvas Metropolitan Museum of Art, New York
9034  
SACCHI, Andrea, Portrait of Monsignor Clemente Merlini sf
 
 Portrait of Monsignor Clemente Merlini sf   c. 1630 Oil on canvas Galleria Borghese, Rome
9032  
SACCHI, Andrea, St Francis Marrying Poverty d
 
 St Francis Marrying Poverty d   1633 Oil on canvas 292 x 201 cm Galleria Nazionale d'Arte Antica, Rome
9031  
SACCHI, Andrea, The Three Magdalenes DFY
 
 The Three Magdalenes DFY   1634 Oil on canvas, 68 x 50,5 cm Galleria Nazionale d'Arte Antica, Rome
9037  
SACCHI, Andrea, The Vision of St Romuald af
 
 The Vision of St Romuald af   c. 1631 Oil on canvas, 310 x 175 cm Pinacoteca, Vatican

SACCHI, Andrea
Italian painter, Roman school (b. 1599, Nettuno, d. 1661, Roma).Italian painter and designer. He occupied an important position, midway between Annibale Carracci and Carlo Maratti, in the development of a more restrained, less decorative painting in 17th-century Rome, a trend that culminated in the 18th century with Pompeo Batoni. Sacchi trained with Francesco Albani, Carracci's student, and taught Maratti. His often expressed devotion to the art of Raphael and Carracci and his criticism of the views of Pietro da Cortona and Gianlorenzo Bernini made him, with Nicolas Poussin and Alessandro Algardi, one of the most significant representatives of a stylistic and aesthetic opposition to the more flamboyant, extrovert aspects of the High Baroque. Sacchi did not, however, share Poussin's passionate interest in Classical antiquity, nor was his mature work as cerebral. Yet his mature style, less richly coloured than his early manner and more restrained emotionally,



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